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Alexandre Dulaunoy 2018-09-23 13:06:32 +02:00
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posts/a-photographic-addiction-to-trees.rst Normal file → Executable file
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@ -8,7 +8,7 @@
.. author: Alexandre Dulaunoy
.. _trees: https://www.flickr.com/photos/adulau/26292095740/
.. figure:: trees1.jpg
.. figure:: /posts/trees1.jpg
:alt: Lost in the trees...
Lost in the trees..., ƒ/2.0, 35mm, trees_ on flickr
@ -30,7 +30,7 @@
Maybe my addiction is just due to the trees being the roots of many topics.
.. _trees2: https://www.flickr.com/photos/adulau/26212984535/
.. figure:: trees2.jpg
.. figure:: /posts/trees2.jpg
:alt: Revival of the salix
Revival of the salix..., f/22, 35mm, trees2_ on flickr

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posts/assignments-in-photography.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: playbook.jpg
.. figure:: /posts/playbook.jpg
playbook, ƒ/2.2, 49mm

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posts/belgian-photographers.rst Normal file → Executable file
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@ -8,7 +8,7 @@
.. author: Alexandre Dulaunoy
.. _books: https://www.flickr.com/photos/adulau/23924473921/
.. figure:: books.jpg
.. figure:: /posts/books.jpg
:alt: Belgian photographers
Belgian photographers, ƒ/2.0, 35mm, books_ on flickr

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posts/influential-photographers.rst Normal file → Executable file
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@ -26,7 +26,7 @@ Very recently, I found this quote from Dennis Hopper:
*I think of that with my photographs. I think of them as ‘found’ paintings because I don’t crop them, I don’t manipulate them or anything. So they’re like ‘found’ objects to me.* **Dennis Hopper**
.. figure:: trainstation.jpg
.. figure:: /posts/trainstation.jpg
:alt: Snow and Train Station
:align: center

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posts/mirrors-and-photography.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: series-mirror/final.jpg
.. figure:: /posts/series-mirror/final.jpg
Moving duplicity, ƒ/4.5, 35mm, movingduplicity_ on flickr
@ -22,11 +22,11 @@ Everything is an image and mirrors are here to duplicate the representation of o
At the entrance, there is a small area where basically you cannot be seen in the mirror (at first sight). I waited there with my camera especially to catch the movement of people and especially trying to get the two perspective of a same person.
.. figure:: series-mirror/6R3B4413-s.JPG
.. figure:: series-mirror/6R3B4414-s.JPG
.. figure:: series-mirror/6R3B4416-s.JPG
.. figure:: series-mirror/6R3B4418-s.JPG
.. figure:: series-mirror/6R3B4419-s.JPG
.. figure:: /posts/series-mirror/6R3B4413-s.JPG
.. figure:: /posts/series-mirror/6R3B4414-s.JPG
.. figure:: /posts/series-mirror/6R3B4416-s.JPG
.. figure:: /posts/series-mirror/6R3B4418-s.JPG
.. figure:: /posts/series-mirror/6R3B4419-s.JPG
I kept and crop the movingduplicity_ because the movement was a kind of integral part of the whole picture. Due to the setup, I couldn't frame exactly the picture as I wanted during the shooting. So I decided to crop the upper and right part to split the frame between the mirror and its other part.

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posts/old-and-new.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: curtain.jpg
.. figure:: /posts/curtain.jpg
We might need to change the curtain, ƒ/22, 14mm, curtain_ on flickr

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posts/photography-a-solitary-art.rst Normal file → Executable file
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@ -26,6 +26,6 @@ time with our cameras.
.. _I: https://www.flickr.com/photos/adulau/
.. _selfie: ./the-difficult-exercise-of-self-portrait.html
.. _selfiehotel: https://www.flickr.com/photos/adulau/15437538459/
.. figure:: self.jpg
.. figure:: /posts/self.jpg
The Difficult Exercise of Self Portrait, ƒ/6.3, 35mm, selfiehotel_ on flickr

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posts/photography-is-not-only-a-matter-of-cameras.rst Normal file → Executable file
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@ -11,7 +11,7 @@ Usually interactions with people help me to get subjects for my blog posts. One
My strategy changed over time. Now, I give my camera and tell them: "Now, do some amazing pictures!". And you know what happen? I don't remember to have seen an amazing picture. Just a lot of statements like "Where is the automatic mode?" or "Where is the zoom?" or the best of the best "It's too difficult".
.. figure:: bob.jpg
.. figure:: /posts/bob.jpg
:alt: Alex and Bob
Kodak Portra 400, Hasselblad, self-portrait_ on flickr

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posts/select-or-die.rst Normal file → Executable file
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@ -25,7 +25,7 @@ For the following tree (that I knew for the past few years), such profile is qui
With the surrounding constraints, the tree develops itself and grew. Initially, I wanted to show the contrast between the wildlife and the control of nature. As seen in picture 1, the tree was more far away and you can see the field. But the contrast between the two was not too well marked. On picture 2 and 3, the river helps to stress the contrast between the two parts. If you look carefully, you might see the small path where animals are using to pass by.
.. figure:: choisir.png
.. figure:: /posts/choisir.png
:alt: 3 pictures of the same tree
I took 3 pictures but which one to select?
@ -34,7 +34,7 @@ Why did I select the picture 3 at the end? Because the grasses in front are more
more the contrast between the nature and the controlled nature.
.. _trees: https://www.flickr.com/photos/adulau/sets/72157626083564097/
.. figure:: select.jpg
.. figure:: /posts/select.jpg
:alt: Morning Trees
Morning Trees, ƒ/9.0, 14mm, morningtrees_ on flickr

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posts/soundscape-and-photography.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: train.jpg
.. figure:: /posts/train.jpg
Every second is the beginning of something, ƒ/2.0, 35mm, train_ on flickr

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posts/still-photography-versus-videography.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: living.jpg
.. figure:: /posts/living.jpg
Living our photographies, ƒ/22, 35mm, fagnes_ on flickr
@ -19,6 +19,6 @@ This question was in my head for the past days... Photography is very different
While searching in my archive, I found a series taken in the Virton train station. Every picture is a moment but it looks like a movie. The paradox if you add all the pictures all together, this is like a video which is not.Maybe the impression is linked on how you dream, it seems you have the impression of each steps, these steps are just a moment of our lives.
.. figure:: train.gif
.. figure:: /posts/train.gif
43 still pictures of a train passing who passes...

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posts/street-art-and-photography.rst
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: ugly.jpg
.. figure:: /posts/ugly.jpg
.. _harmony: https://www.flickr.com/photos/adulau/27163039559/
.. _Graffiti_to_the_Street_Art_Movement: https://spectrum.library.concordia.ca/976281/1/NR63383.pdf
@ -15,7 +15,7 @@ to achieve harmony_ you need to master ugliness, ƒ/2.8, 28mm
Years ago, I started to photograph graffiti at large including posters, tags and all the traces left by street artists. The original reason was maybe keeping an archive of this ephemeral art or make visible very small things which are usually unnoticed or considered as vandalism. There is a theory that the existence of street art is bound to photography. The thesis by *Anna Waclawek* `From Graffiti to the Street Art Movement: Negotiating Art Worlds, Urban Spaces, and Visual Culture, c. 1970 - 2008 <https://spectrum.library.concordia.ca/976281/1/NR63383.pdf>`_ provides an exhaustive research on the topic. Documentarian and photographer such as `Henry Chalfant <http://www.henrychalfant.com>`_ or `Martha Cooper <http://www.stevenkasher.com/artists/martha-cooper>`_ made the incredible job to document and archive the history of graffiti. The commitment of such artist is impressive and especially the symbiosis between them and the culture surrounding street art.
.. figure:: circle.jpg
.. figure:: /posts/circle.jpg
.. _circles: https://www.flickr.com/photos/adulau/27501914838/
defeating circles_, ƒ/2.8, 28mm

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posts/surveillance-camera-versus-photography.rst Normal file → Executable file
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@ -17,7 +17,7 @@ The increase of video surveillance was done without real complaints from the cit
.. _cctv: https://www.flickr.com/photos/adulau/15680439035/
.. _julie ferguson: http://www.julietferguson.com/cctv/
.. figure:: cctv.jpg
.. figure:: /posts/cctv.jpg
CCTV in Paris, ƒ/2, 135mm, cctv_ on flickr

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posts/the-art-of-not-showing.rst Normal file → Executable file
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@ -14,7 +14,7 @@ There is no formula but looking back, there is something more important in photo
But how do you do that as a photographer? Difficult question maybe when you take a picture, you are trying to reach the same level of questioning or at least allowing your pictures to open the same questionings for yourself. I'll try with some of my pictures but this is only my humble perspective...
.. figure:: tv.jpg
.. figure:: /posts/tv.jpg
:alt: A dead TV
A dead TV, ƒ/2.0, 135mm, tv_ on flickr
@ -23,7 +23,7 @@ But how do you do that as a photographer? Difficult question maybe when you take
I took this picture in my home village, the street is known to me. But when I saw the TV set (dropped by a neighbour for the garbage collection), this triggers many questions. Not only the simple fact of having a lost and out-of-context object in a street but the follow-up questions. Is technology so futile? Should we get rid of TV? How much garbage do we generate by just watching TV? So describing the whole reasoning why you take a picture, why you choose a specific framing... It is somehow related to this uncertainty and open questions that appears in your mind. So maybe the fact of seeing the lost TV, you see many other things.
.. figure:: girls.jpg
.. figure:: /posts/girls.jpg
:alt: Girls talking
Girls talking, ƒ/2.0, 135mm, girls_ on flickr

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posts/the-difficult-exercise-of-self-portrait.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: a.jpg
.. figure:: /posts/a.jpg
:alt: Three a and a self-portrait_
Self portrait is a difficult exercise for me. It might seems to be a kind of
@ -24,7 +24,7 @@ to forget about their surrounding for a short period. It's a little instant wher
they forget about the world. Taking this instant, it's kind of magic. Like the
selfie with the lady and the goat_.
.. figure:: b.jpg
.. figure:: /posts/b.jpg
:alt: Selfie with a goat_
.. _self-portrait: http://www.flickr.com/photos/adulau/8445182447/

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posts/trace-and-opportunity-in-photography.rst Normal file → Executable file
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@ -7,7 +7,7 @@
.. type: text
.. author: Alexandre Dulaunoy
.. figure:: surface.jpg
.. figure:: /posts/surface.jpg
.. _surface: https://www.flickr.com/photos/adulau/34376746461/
.. _ref: http://press.uchicago.edu/ucp/books/book/chicago/P/bo25149795.html

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posts/watermarking-or-how-to-destroy-your-work.rst Normal file → Executable file
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@ -8,7 +8,7 @@
.. author: Alexandre Dulaunoy
.. _tag: https://www.flickr.com/photos/adulau/14994494530/
.. figure:: tag.jpg
.. figure:: /posts/tag.jpg
:alt: Ma soif de savoir est...
Ma soif de savoir est..., ƒ/2.5, 50mm, tag_ on flickr

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posts/what-kind-of-photography.rst Normal file → Executable file
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@ -8,7 +8,7 @@
.. author: Alexandre Dulaunoy
.. _catu: https://www.flickr.com/photos/adulau/28896128271
.. figure:: cat-u.jpg
.. figure:: /posts/cat-u.jpg
cat -u, ƒ/2.0, 35mm, catu_ on flickr

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posts/when-does-a-photograph-exist.rst Normal file → Executable file
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@ -13,11 +13,11 @@ After the discovery, selection and publication of the Vivian Mayer's works. Her
Sometime ago, I took some pictures in front of a graffiti from Mr. Chat in Paris:
.. figure:: mrchat-contact.png
.. figure:: /posts/mrchat-contact.png
One photograph emerges from the stack, a lady lost in her thoughts hug by Mr. Chat.
.. figure:: mrchat.jpg
.. figure:: /posts/mrchat.jpg
Mr. Chat liks to hug, ƒ/2.0, 135mm, mrchatflickr_ on flickr
@ -29,6 +29,6 @@ The photograph was selected to be part of a series about "movement" in an exhibi
The interesting part is that another artist (Jean-Luc Stiernon) got the print of the picture. He even draw
a representation of the photograph in a drawing. A kind of meta-art.
.. figure:: jeanluc.jpg
.. figure:: /posts/jeanluc.jpg
If the initial selection was not made, such dynamic will never exist.